While their biggest international exposure was a cameo in the Tarantino flick Kill Bill, 5.6.7.8’s are much more than one-hit wonders, bearing the proud distinction of being the prime and longest-enduring Japanese garage rock girl band. Featuring a revolving cast of musicians (only one of them ever being a boy) and possessing small but loyal fanbases in countries from China to the U.S., 5.6.7.8’s is the brainchild of the sisters Ronnie “Yoshiko” Fujiyama and Fujii Sachiko, and it reflects their love for music of the ’50s to the ’80s, bluntly alluded to in the group’s name.

The band was formed in 1986, at the height of the garage rock hype that seized Tokyo at the time. The band’s first full-length album, The 5.6.7.8’s Can’t Help It!, was recorded in 1991, out not only in Japan, but in Australia and the U.S. as well (the American release came in 1992). That began a period of the band’s active overseas expansion: they toured Australia and America and released the single The Spell Stroll on the French label Wee Records. Japan remained their main playground — they had several releases there in the ’90s, namely EPs I Was a Teenage Cave Woman (1992) and Pin Heel Stomp (1997), as well as the second full-length The 5.6.7.8’s (1994), — but they also had six singles and the EP Bomb the Twist (1995) out in the U.S.

The years between 1998 and 2002 saw no releases, but some heavy touring in Japan, America, Australia, New Zealand, and Europe. In 2002, Quentin Tarantino heard their CD in a clothing shop in Tokyo, and soon invited them to star as themselves in a Kill Bill scene (they contributed the song “Woo Hoo” for the movie soundtrack). 2002 also saw 5.6.7.8’s releasing the album Teenage Mojo Workout and the EP Pretty Little Lilly Can Dance No More, and their compilation Best Hits of the 5.6.7.8’s came out in America and Japan in 2003 (it was released in Europe the next year). In 2004, Teenage Mojo Workout was released in Britain, and the single Woo Hoo reached number 24 on the local charts, but long-term British success eluded them. The same year Yoshiko gave up her post for Omo, who returned to being 5.6.7.8’s bassist after an eight-year hiatus. The band has kept quiet since 2004, releasing no new material but playing the occasional live show.